Sony, Fox Sports, 3ality Partner To Show BCS Championship In 3-D
Sony, Fox Sports and 3ality Digital tonight will host a reception for more than 1,000 to view a live airing of the Oklahoma-Florida BCS Championship game in 3-D. The game through the partnership is being distributed nationwide in more than 80 movie theaters (Eric Fisher, SportsBusiness Journal). The WALL STREET JOURNAL's Joseph De Avila reported theaters will charge "between $18 and $22 to watch" the game. Networks and sports leagues said that this type of presentation "potentially offers a new way to connect with fans," and theaters see sporting events as a "novel way to fill their seats using technology they already use to play 3-D movies and concerts." But 3-D broadcasts involve "complex licensing and rights agreements among the sports leagues, networks and technology providers," which is "why Fox sees this as an experimental broadcast." Fox Sports Senior VP/Field Operations & Engineering Jerry Steinberg: "You are always going to stick your toe in the water before you jump in over [your] head. The thing that is up in the air is the business model." Steinberg added that Fox Sports also "doesn't want to cannibalize viewers from its local affiliates, which depend on viewers tuning into their HD and standard definition broadcasts" (WALL STREET JOURNAL, 1/7).
THE THIRD Dimension: USA TODAY's Michael Hiestand reported Fox will use a "separate crew -- with its own announcers, cameras and production truck -- for its 3-D coverage and a different game plan than Fox's 2-D TV counterpart." While NBA and NFL networks have "tested 3-D action on movie screens for small groups, this is the first live 3-D sports experiment" (USA TODAY, 1/7). In Houston, David Barron notes along with "new technology, viewers will see tonight's game from a new perspective." 3ality Digital Systems Founder & CEO Steve Schklair said that while traditional football broadcasts "use a high camera mounted at midfield to show plays as they unfold," 3-D images are "most effective when the objects are moving toward the camera." Consequently, 3ality will have "two cameras in the stands and six closer to the field," and cameramen will shoot each play from "either the end zone or from a high camera mounted at a 45-degree angle to the play" (HOUSTON CHRONICLE, 1/8).
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