NBC looks to refine EPL coverage Schaap signs to stay at ESPN Sports Media: The man in Moscow ESPN bids French Open adieu Melt acquires Ninja Multimedia firm Championship event coming to Bounce A 'meaningful project' Wolff Westminster moving dog show to Fox’s FS1 Sports Media: Shanks goes hands-off Athletes destined for broadcasting
SBJ/July 11-17, 2011/Media
HBO tells Flood’s tale well in documentary
Published July 11, 2011, Page 33
An all-star outfielder for St. Louis in the 1960s, Flood challenged the reserve clause after an unwanted trade to Philadelphia and took MLB to court. He ultimately lost before the U.S. Supreme Court in 1972, but the case helped galvanize the MLB Players Association in its fight for impartial arbitration and free agency. By late 1975, the union had prevailed in its push, and free agency quickly changed the face of baseball.
Flood was soon left as a historical footnote as seven-figure salaries and high-stakes collective bargaining became norms. Following the HBO Sports documentary playbook, the network carefully chronicles the often tragic, sometimes triumphant, life of Flood, who died in 1997 after a battle with throat cancer.
Rather than dive into the legal twists and turns of Flood v. Kuhn, the documentary takes a wider view of Flood’s life. Extensive segments cover Flood’s battles with racism, alcoholism, insolvency and family turmoil — all elements that helped harden his nerve to battle baseball’s establishment.
Curt Flood’s widow, Judy Pace Flood, attends the New York City premiere of “The Curious Case of Curt Flood” on June 29 with former Cardinal and current MLB executive Joe Torre (center) and HBO Sports President Ross Greenburg.
Intimidating and often reclusive hall of famer Bob Gibson, Flood’s teammate and close friend, comes across as open and candid. “Was I was behind Curt? Yes, but about 10 steps behind,” Gibson concedes. “There was some fallout.”
HBO Sports President Ross Greenburg calls “The Curious Case of Curt Flood” “one of the most important documentaries we’ve ever done. I always felt this story needed to be told.”
In a business often full of hyperbole, Greenburg’s statements, as well as the film itself, are thankfully devoid of it.